Tuesday, June 05, 2007

Hero

A big conflict for me is simplicity vs. details. There are, of course, elegant solutions to satisfy both--so perhaps I should try harder, but my brain capability is often limited, as my brother would readily tell you.

It's obvious (the simplicity conflict, not my IQ) from ff reader comments on DS. I would leave little details, but from readers' confusion, I am making too many assumptions. But then, it's so patronizing to spell out everything. I could blame the readers--but I am the author, the one who designed the plot and the particular way of words, so everything is really my own fault.

As I plan more and more of DS's plot (which should have been done a year ago when I first wrote ch1), the conflict between simplicity and details becomes clearer. I want to make the story conclusion satisfying. This would be most readily achieved with a Traditional Hero. In a way, in Esca the characters most impacted by the events were Van and Folken. Hitomi's journey wasn't nearly as complete as theirs, with their conflicts, falling away, dilemmas, eagerness, and redemption. Traditional Heroes provide a clear moral compass, completion of story, and emotional identification by readers.

But the way to use them require planning and skill. It could easily become a device and a resentment. Not using them, on the other hand, could also easily make DS into the Modern Literary Work with No Heros, Just a Lot of Suffering and Is Hella Boring category.

sigh.

Most likely I will go the Hero route with modifications. Elegant solutions, where are you?

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