The most common mistake I see on ff is treating character profile as a list of physical markings. In addition to smearing the writing into lower class with simplified descriptions of a tall and brown haired man, authors are missing out on the most vital and powerful aspect of fiction: characterization.
There must be overwhelming background evidence to tell how characters will act in a certain situation. (Not all presented to the readers, of course.) And then it's the author's craft to connect the dots to make the experience pleasurable by the confirmation or surprise.
Of course, physical descriptions are important to bringing the characters alive in imaginations. But even in our first impressions with a stranger, there are numerous details we consciously and intuitively receive. Is he in good shape? How clean and stylish are her clothes? Does she wear flashy jewelry with flip-flops? Is he hunching to appear less noticeable? Does she hold her coffee cup with her little finger out or cradle it in both hands? Doe she look elegant but destroy the picture by saying insensible things? All of these are physical things, but they give so much more character information than sky blue eyes.
The best part to me in the film
Stranger than Fiction was the part when Harold Crick says his favorite word is "integer." I had loled, because it's a word that completely defines his personality and behaviors.
As an exercise today I wrote the Esca characters' words. They're not their favorite, really, but words that I think exemplify them. So here's the list of their Esca-timeline words, though I've still to define (and keep secret from you, mwhaha) their DS words. And let me know if I've hit or missed the mark!
Van - trust
Hitomi - hope
Merle - Van
Allen - companionship
Millerna - love
Dryden - power
Aston - country
Eries - propriety
Chid - filial duty
Celena - emptiness
As for doing complete character profiles, I must admit I haven't finished them yet either. I think at this point I'd better concentrate on the next ch, rather than filling out the list to its entirety. But I do consider many of the following points as I work through scenes, and here's a partial list. For in-depth strategies and examples, pick up the book
The Plot Thickens.
outward appearance. posture.
mode of dress. fabrics. expense. style. colors.
words. phrases. sentence to live by.
favorite colors, animals, foods, smells, places. reading material. music. art. decoration style.
family situation and relationship
history. jobs. education. occupation.
outlook on life. future plans.
personality. quirks.
distinguishing characteristic.
likes and dislikes.
recreation. hobbies. vacations.
circle of friends. types of enemies. past lovers.
perception vs. reality
One of my favorite pictures of Van is him in ending credits. It seems to say so many different things. And why is it? It's not his excuse of a shirt, or his hair, or his long lashes. The mystery comes from his closed eyes, that highlight on the bridge of his nose and his lips, his self-hug. Is it expectation, acceptance, waiting, or loneliess? Only Van knows.