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From
Sapphirefly's post and
link, this weekend I read
Goong up to vol 10. It is surprisingly romantic, despite the gender inequality. (Even though the manhwa explained the women's lack of independence and power as court culture, inequality is much more prevalent in East Asia, as can be seen from the public censure of Hyo-Rin and Chae-Gyeong's feelings of inadequacy when Shin is absent.) Some page had said
Goong was made in the wake of
Hana Yori Dango's popularity (which spawned anime, movies, tv series, as well as Taiwan drama series
Meteor Garden), but I see
Goong as a cross between manhwa and traditional twists on Cinderella like
My Fair Lady--the transformation into a swan is just the beginning, and Chae-Gyeong doesn't change things by reversing traditions and values, but by following them in her own way.
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Since
Goong is now licensed for the US and fan translations hard to get, I tried out the drama in an effort to finish the story, but seeing Shin change from SoHee Park's beautiful art into a real boy is a total crush of hopes. I find her art similar in style to Kaori Yuki's
Angel Sanctuary and
Godchild--elaborate hair, beautiful men, women with a gothic romance feel. Now that I'm back in the Bay Area, perhaps I'll go to the rental manga store again and finish the series in Chinese.
As for how this all relates to Esca... It does give me shivers on a new AU story (just imagining Van dressed up in the fashionable male ideal of East Asia like Shin makes me excited), but most of all, the romance in
Goong is fantastically self-deprived and slow. And then when it does come, the romance blooms into this dramatic satisfaction. Gives me ideas.
Almost all of my favorite authors updated during the holiday break. I should get going, too.